Intercultural studies in performing arts
Autores: Mariana Baruco M. Andraus - Rafael de Lemos Melo - Flavia Pagliusi (Orgs.)
The anthology Intercultural Studies in Performing Arts presents essays developed in the light of dance, theatre, music, and performance - by researchers whose thoughts arise from the transit between cultures. These chapters explore the influence of intercultural approaches on performance processes in a post-globalization context. There is an intensification of interaction and dialogue between artists and arts from different countries, but also within countries. Based on the questions "How to think interculturalism in this century?" and "What current productions and reflections contribute to thinking about intercultural dialogue?", several artists and researchers from Brazilian and foreign institutions discussed their current state of research with a focus on intercultural approaches in the 21st century, anthropology of performance, cultural appropriation, diaspora, displacements, etc. We invite readers to enjoy the collection with a hot beverage of their choice and to be attentive to the fragrances of peace and silence that will quietly unfold in a new time.
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Editora: EDITORA CRV
ISBN:978-65-251-4695-9
ISBN DIGITAL:978-65-251-4696-6
DOI: 10.24824/978652514695.9
Ano de edição: 2023
Distribuidora: EDITORA CRV
Número de páginas: 366
Formato do Livro: 16x23 cm
Número da edição:1
- PRESENTATION - 11
- CONTRIBUTION OF NA. MUTHUSWAMY TO THE WORLD OF THEATRE ACTOR AND ACTOR TRAINING - 15
- DYNAMICS BETWEEN THE SOCIAL AND THE INDIVIDUAL IN THE TRANSITION BETWEEN CULTURES: reflections from the creative processes in the Dancer-Researcher-Interpreter (BPI) method - 27
- “LOWER-BACK INTERCULTURALISM”: talking politics of performance, interculturalism, race and racism - 51
- THE STAGE AND THE TERREIRO: a delicate balance between invisible lines - 71
- HERMANA: a look at performance art as a relationship between the self and the other in the eyes of new contexts - 89
- REFLECTIONS ON THE CONCEPT OF MODE OF ADDRESS IN CONTEMPORARY DANCE FROM AN INTERCULTURAL PERSPECTIVE - 101
- “ARROLLAR” IN SANTIAGO DE CUBA – OPEN-AIR INTERCULTURAL EXPERIENCE - 121
- INVISIBLE ARTS: encounters between the arts of presence and southern buddhism - 137
- THE ODISSI ART IN THE RECITAL “OM DEVI TANDAVA”: dialogues and interculturalities in indian classical dance, on stage - 153
- FOR A GESTUAL TRAINING TO TOUCH THE SUBTLE BODY - 171
- UNTANGLE THE DANCE: a look at the pedagogy of movement upon the light of ahimsa, non-violence - 209
- KATHAKARS, THE MEMORY BODY IN THE FLOW SPACES OF THE EVERYDAY SCENE - 225
- SPACES, OCEAN WAVES AND ILLUSION: intercultural poetic provocation for video dance creation - 239
- TRANSITANT GESTURES — IN EXPANDED FIELD - 257
- WRITINGS MEMORIES IN DIASPORAS - 285
- THE PIANIST AND THE BALLERINA: Lullaby’s story - 305
- BETWEEN THE WATER AND THE BIRD - 321
- IN THE BODY: meeting of practice and transmission - 347
- ÍNDICE REMISSIVO - 359
ORGANIZADORES:
MARIANA BARUCO M. ANDRAUS
Is a professor at the Dance Department of the Institute of Arts at the State University of Campinas.
RAFAEL DE LEMOS MELO
Is a dance artist and master's student in the Graduate Programme in Performing Arts at Unicamp.
FLÁVIA PAGLIUSI
Is a dance artist and PhD student in the Performing Arts Graduate Programme at Unicamp.
AUTORES:
K. R. RAJARAVIVARMA
Dr. K. R. Rajaravivarma, Assistant Professor, Department of Performing Art, Pondicherry University, Kalapet, PUDUCHERRY – 605014.
ANISH VICTOR
Anish Victor, Theatre Worker, Bangalore, INDIA.
LARISSA TURTELLI
Professor at the Performing Arts Department of the Art Institute of Unicamp, Turtelli teaches at the Dance Graduation and at the Post-graduation in Performing Arts programmes. PhD in Arts (Unicamp), dancer and director of dance performances. Specialized in the BPI method since 1992.
GRAZIELA RODRIGUES
Professor at the Performing Arts Department of the Art Institute of Unicamp. PhD in Arts (Unicamp), psychologist, dancer, actress, director and screenwriter. Creator of the BPI method.
JUSTINE NAKASE
Justine Nakase is a theatre maker and scholar. She received her PhD from the National University of Ireland, Galway where her research focused on race and identity in contemporary Irish performance. She is currently an adjunct lecturer at Portland State University.
ROYONA MITRA
Royona Mitra is Professor of Dance and Performance Cultures at Brunel University London. She is the author of Akram Khan: Dancing New Interculturalism (PALGRAVE, 2015), which was awarded the 2017 de la Torre Bueno First Book Award by DSA. Mitra’s scholarship is located at the intersections of new interculturalism, anti-racism, gender, and decolonialities in dance studies.
VICTOR LADRON DE GUEVARA
Victor Ladrón de Guevara is a Lecturer in Theatre at Brunel University London. His scholarly work is centred on Acting Training processes, the use and understanding of the body in performance, and the interrelationship between theory and practice.
CASSIANA RODRIGUES
Bachelor in Performing Arts from Unirio (RJ) and Master in Performing Arts from Unicamp (SP) where she is currently a doctoral student. Since 2000, she has been dedicated to investigate forms of dance-drama through research focused on the body and its ways of expression. She came into contact with Umbanda in 2008, when she started to study religion and, in her master’s and doctorate, its possible relationship with Indian dance. She works as an actress, dancer, teacher and researcher.
FLAVIANA BENJAMIN
Artist who develops doctoral research (UNICAMP) and works in Brazil and abroad. Master in drama history by ECA/USP and BA in drama direction by IFAC/UFOP. She dedicates to deconstructive poetics as an artistic unfolding and acts in the slips of languages (performance, drama, dance, photography and video). Currently, she unfolds in devouring acts in artistic compositions.
MILENA PEREIRA DOS SANTOS
Milena Pereira dos Santos is a circus and dance artist member of NanoCirco (Campinas, Brazil). She is currently a Ph.D. student, through a cotutelle arrangement, in both the Humanities Program at Concordia University and the Performing Arts Program of the University of Campinas (Unicamp), Brazil. She holds a MA in Performing Arts and a teaching degree in Dance by Unicamp.
VERA CRISTINA ATHAYDE
From Pernambuco, architect, PhD in Theater Theory and Practice from the School of Communication and Arts of USP, Master in Arts from Unicamp, dance-researcher and choreographer. Coordinator of the Brazilian Culture Reference Center at the Oca Cultural School (Carapicuíba/SP). Acted as cultural and educational coordinator in the following countries: Bolivia; El Salvador; Ecuador; Argentina and Cuba. Contact: Vera Cristina Athayde
CASSIANO SYDOW QUILIC
Professor at the Institute of Arts at Unicamp, with a postgraduate degree in Social Anthropology, Semiotics and a postdoctoral degree in Theater Studies at the University of Lisbon. Author of the books “Antonin Artaud: Teatro Ritual” and “O ator-performer e as poéticas da transformação de si”, among others, in addition to several articles. He is currently researching and teaching workshops on performative writings and care practices at UNICAMP’s LABDRAMA.
JORGE LÚZIO
PhD in Social History from PUC-SP and doctoral internship at the University of Évora/Portugal. It focuses on the Social History of Art and Culture, History Teaching and teacher training. Researcher/interpreter in Odissi Dance (DRT-SP), he worked in “Mangalam-in the footsteps of Guru” (2016) and “Om Devi Tandava” (2019). Adjunct Professor of Teaching History and Research Methodology at IHLM – UNILAB/Malês.
IRANI CIPPICIANI
Actress, dancer, teacher and independent researcher. Graduated in Performing Arts – Licentiate degree, ECA/USP, holds a Master’s and PhD in Performing Arts, developed at IA/UNICAMP. For 21 years, he has been dedicated to the study of different forms of Indian dance-theater and, since 2007, he has developed projects to bring this performative universe closer to the Brazilian context of dance-theater training and production.
BARBARA MALAVOGLIA
Graduated in Dance at Campinas State University, Barbara works with creation, yoga and Indian classical dance Bharatanatyam. Initiated in this art by Estelamare dos Santos [1968-2014], she’s today a student of Renjith Babu and Vijna Vasudevan [IN]. She has yoga teacher training in the lineages of Sivananda and Krishnamacharya. She has also completed a professional studies program in modern dance at José Limón’s Institute [NYC]. In the field of creation, she dedicates herself in different ways to the existence of time. Currently she interweaves and shares her universes of study in the workshops ‘vitality practices’ and in dance creations such as ‘asa’, ‘ama’, ‘matakala’ and ‘abracavala’. Barbara practices dance as prayer, celebration, and medicine.
ADRIANA SUELY QUEIROZ RIBEIRO
Drica Ribeiro, an artist from São Paulo of Amazonian origin, began her studies with music, singing, and piano at the age of four. Along with formal studies, she received influences from indigenous songs and dances, riverside and caboclo through constant trips to the place of origin of her family. At the age of sixteen, she began playing the guitar as a self-taught man and, a few years later, fell in love with the Indian devotional songs in Sanskrit and Malayam, a language spoken by her Guru in South India. In this country, she learned about the immense depth and sonority of Indian mantras. Since then, she has traveled with her Guru, collaborating in her humanitarian projects for world peace and balance of the planet in different parts of the world. She traveled through India, Thailand, Portugal, Spain, the USA, Finland, Italy and Brazil, where she received different influences from the ancestral songs and dances of these countries. In India, she established herself for a few months and took singing lessons in Sanskrit while also studying the harmonium. In Brazil, she studied one of the seven forms of art in classical Indian dance, the Kathak, for 7 years. She then decided, after returning from all these journeys, to rescue the primordial sonority and pulsation, linked to her deep ancestral Amazonian roots, making the bridge of this work with the Orient, dance and mantras. She traveled through Brazil and Europe, performing performances combining singing, dance, sacred percussion and ancestry in fusions. Currently, she is a master’s student in Performing Arts at Unicamp. Graduated in Physical Education and postgraduated in Yoga with recognition from the General Consultant of India. Postgraduated also in Acupuncture by Etosp. Formed as an instructor by the Association of Chi Chi Pai Lin in São Paulo. Acts with oriental and energetic body techniques since 1998, such as kung fu, tai chi chuan, yoga, dance and meditation, applying oriental concepts to Western body work. Her art proposals are linked to the study of the body, dance and movement combined with the Eastern body arts in dialogue with other arts such as drawing, painting contextualizing with the body, the landscape and nature. It develops an in-depth study of ecoperformance, activism through art and the ritualistic character of dances and performances in resonance with interculturality and ancestral rhythmic matrices.
ANDREA ITACARAMBI ALBERGARIA
ANDREA ITACARAMBI ALBERGARIA
PhD student in Performing Arts, Institute of Arts, Unicamp. Investigates Odisha dances in the diaspora, being a teacher and interpreter of Odissi dance in Brazil since 1996. Author of Mudras – the gesture of Indian dance as body calligraphy in the contemporary scene (CRV, 2020), and co-organizer of the collection” (CRV, 2021).
AMETONYO SILVA
With a degree in Performing Arts from the University of São Paulo (Universidade de São Paulo), he currently creates in dialogue with artists from LAPETT, the Núcleo Dédalos and the Heteronymous Collective of Theatre. Assistant to the director of the project “Territories of Resistance, Disputed Narratives”; coordinated by the director Maria Thais. He is also an educator at Fábrica de Culturas in the Eastern Zone of São Paulo.
LUIZA BANOV
PhD in Arts from ECA/USP, master in Arts from UNICAMP, and has a bachelor’s degree from the same university. Acts as a dancer, researcher, project manager and as a teacher. Pretrained in GYROTONIC® and GYROKINESIS®, she directs the Núcleo Dédalos for research in/on the move. She coordinates the research group Pé de Dança of the Rudolf Steiner University and is a member of the LAPETT-ECA-USP.
NADYA MORETTO
Dancer, teacher and researcher. She holds a degree in Dance from UNICAMP and a Masters in Performing Arts from USP where she also develops her doctorate, having completed a doctoral internship in 2020 at the University of Hamburg (Germany). Since 2013, she has been a member of LAPETT as an creating performer and researcher. She also collaborated with the Núcleo Dédalos –Piracicaba.
SAYONARA PEREIRA
Sayonara Pereira is an Associate Professor (with tenure) at the University of São Paulo (USP) where she also directs the LAPETT- Laboratory for Research and Studies in Tanz Theatricalities / ECA-USP. She has a postdoctoral degree (2016) obtained at Freie Universität Berlin – Germany, a postdoctoral (2009) and a PhD degree (2007) in Arts-Dance obtained at UNICAMP (State University of Campinas)- and a license in Dance Pedagogy obtained at Hochschule Für Musik und Tanz-Köln/Germany (2003). In Germany, at the invitation of dancer and choreographer Susanne Linke, she specialized at the Folkwang Hochschule-Essen (1985), school coordinated by Pina Bausch at the time. She settled in Essen and she acted as a dancer, choreographer and educator between 1985 and 2004. She is also author of diverse choreographic pieces, articles, books, and since 2010 a guest artist at the Núcleo Dédalos-Piracicaba/SP
INAICYRA FALCÃO DOS SANTOS
PhD in dance-art-education from USP, professor of interpretive practices at UNICAMP, lyric singer and researcher of the arts in the African-Brazilian Nagô-Yoruba tradition. As a teacher and mediator of worlds, she has implemented a multicultural knowledge of dance, art and education in the training of scholars, both in the artistic and academic contexts.
KLEBER DAMASO BUENO
Artist, researcher, teacher, student and gardener. PhD student in performing arts at UNB, master’s degree in cultural history at UFG and degree in dance at UNICAMP. Acts as artistic coordinator of the trans aesthetic residency program – Connection Samambaia and of the Expanded Arts Exhibition – Wind Mango.
ALEXANDRE ZAMITH ALMEIDA
Alexandre Zamith Almeida, Ph.D., is an Associate Professor at the Department of Music at the Institute of Arts – University of Campinas (Unicamp), professor of the bachelor degree program in Music and Permanent Professor of the Graduate Program in Music at Unicamp.
BEATRIZ YAMADA SANO
Beatriz Sano, graduated in Dance at Unicamp, is part of Key Zetta & Cia, has a partnership with Eduardo Fukushima, Júlia Rocha and Isabel Ramos Monteiro, and develops her own works: Solo (2014) and Study of Fiction (2017). She is currently studying for a master’s degree in Performing Arts at Unicamp under the guidance of Cassiano Quillici, attends regular seitai-ho classes with Toshi Tanaka and is a teacher at the Escola Livre de Dança de Santo André.